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The Facts of Life

The Facts of Life

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7 de Setembro de 2010

In the medieval list of deadly sins, lust and greed were the two characterized by an excessive appetite for worldly pleasure. After the Renaissance and Enlightenment, attachment to this world was no longer considered sinful, but it took time for the guilt-ridden morality to wear off. By the 19th century, the pursuit of profit and wealth had become respectable, but sex was still encrusted with Victorian morality. The 20th century brought sexual liberation, especially since the '60s, but it also brought anti-capitalism.

So we now have the inverted situation in which sexual desire is fine and open, but the profit motive is the dirty secret: everyone does it but no one wants to say so. Perhaps you will find this “Facts of Life” conversation a helpful guide for navigating this sensitive topic."Son, I think it's time you and I had a man-to-man talk about something. About…well, sometimes they're called the facts of life."

"You mean sex, Dad?"

"No, no, they've told you all about that at school. They have, haven't they?"

"Yeah, sure."

"Right. No, what I mean is something different. Let me put it this way. Do you know where money comes from? The money your mother and I use to buy food and clothes and things?"

"Um… from the cash register? At the deli?"

"Well, yes. But now, do you know why there's money in the cash register, enough for us to bring home and live on?"

"Oh. That's because when someone comes in and wants, like, pastrami on rye, they pay you for it."

"Good. That what I want to talk about—about buying, and selling, and…about profit."

"Profit! What does profit have to do with us? Dad, you don't mean…Capitalists make profits. You're not a capitalist, are you, Dad?"

"No…well, yes, I am. Not a big one or a rich one, but yes, I am a capitalist. And I make a profit, most weeks, anyway. That's where our money comes from."

"I don't believe this! You mean, you and Mom…?  Dad, I thought profits are dirty. They're always saying in school…"

"What do they tell you in school?"

"Well, the teachers say that people who make profits are taking money from people and making them poor. Mr. Wright-Lyttleton, he's my social studies teacher, he says the profit motive is evil and if we do it we'll get…I mean, we'll be a wart on society."

"Good heavens. I didn't think anyone was still telling boys those old wives' tales. Son, I want you to forget all that. Profit is a perfectly natural and healthy thing."

"It is?"

"Sure it is. Let me ask you: do you ever find yourself feeling a propensity to barter and truck?"

"To what?!"

"Do you ever feel like trading things, you know, like with your friends?"

"Yeah..., sometimes, maybe."

"That's all right, son. You're at the age when most boys start to have these feelings. Girls too. Now let's suppose you go to the school cafeteria for lunch, and your friend Jimmy has a sandwich you want, and you've got one he wants. You'd trade, wouldn't you? And after you trade, you're better off, because you like the sandwich you got better than the one you gave Jimmy. That's profit."

"I don't know, Dad. That doesn't sound much like…

"I know it doesn't sound like what your teachers are talking about.  Okay, but now let's look at what happens in the deli. Someone comes in for a pastrami sandwich, and I charge him $3.75. I'm better off, since the guy's $3.75 is worth more to me than the sandwich, because the sandwich only costs me $3.00 to make."

"But that's just it, Dad, like the teachers said, aren't you taking extra money from him?"

"No, you see…I know it's part of the old wives' tale that sellers are the only ones who really like making profits, and buyers don't enjoy it, they just go along to be popular. But that's not true. They like it, same as us. Look, the guy in my store wouldn't buy the sandwich unless it was worth more than $3.75 to him. Otherwise he'd go next door to Johnson's place, or go home and make his own. So he's getting a profit, too, only he doesn't put it in a cash register, he puts it in his stomach."

"The profit goes…he puts it…in his stomach? Are you kidding me, Dad?"

"Well, I didn't exactly mean that literally. I mean he's better off. Plus, if he had to make the sandwich himself, and buy the meat and steam the thing and everything, it'd end up costing him a lot more than $3.75. And remember, I'm the one taking the risk here,opening the place every morning so he can walk in any time he feels like it."

"I kinda see what you mean…but…"

"I know, all this may still seem a little distasteful to you. It's going to take a while before you get used to it. That's part of growing up. But believe me, when a buyer and a seller meet each other, and they both honestly like what the other has, and they trade—well, it can be a very beautiful experience."

David Kelley, Ph.D.
About the author:
David Kelley, Ph.D.

David Kelley fundou a Sociedade Atlas em 1990 e serviu como Director Executivo até 2016. Além disso, como Director Intelectual, foi responsável pela supervisão do conteúdo produzido pela organização: artigos, vídeos, palestras em conferências, etc. Reformado da TAS em 2018, continua activo nos projectos TAS e continua a fazer parte do Conselho de Curadores.

Kelley é um filósofo, professor e escritor profissional. Após ter obtido um doutoramento em filosofia pela Universidade de Princeton em 1975, entrou para o departamento de filosofia da Faculdade de Vassar, onde leccionou uma grande variedade de cursos a todos os níveis. Também ensinou filosofia na Universidade Brandeis e leccionou frequentemente em outros campi.

Os escritos filosóficos de Kelley incluem obras originais em ética, epistemologia e política, muitas delas desenvolvendo ideias objectivistas em nova profundidade e novas direcções. Ele é o autor de A Evidência dos Sentidos, um tratado de epistemologia; Verdade e Tolerância no Objectivismo, sobre questões do movimento Objectivista; Individualismo sem robustez: A Base Egoísta da Benevolência; e A Arte da Raciocínio, um manual de lógica introdutória amplamente utilizado, agora na sua 5ª edição.

Kelley deu palestras e publicou sobre uma vasta gama de tópicos políticos e culturais. Os seus artigos sobre questões sociais e políticas públicas apareceram em Harpers, The Sciences, Reason, Harvard Business Review, The Freeman, On Principle, e noutros locais. Durante a década de 1980, escreveu frequentemente para a Barrons Financial and Business Magazine sobre questões como o igualitarismo, imigração, leis de salário mínimo, e Segurança Social.

O seu livro Uma Vida Própria: Direitos Individuais e o Estado Providência é uma crítica às premissas morais do Estado social e à defesa de alternativas privadas que preservam a autonomia, a responsabilidade e a dignidade individuais. A sua aparição no ABC/TV especial "Ganância" de John Stossel, em 1998, suscitou um debate nacional sobre a ética do capitalismo.

Especialista reconhecido internacionalmente em Objectivismo, deu amplas palestras sobre Ayn Rand, as suas ideias, e as suas obras. Foi consultor para a adaptação cinematográfica de Atlas Encolhidoe editor de Atlas Encolhido: O Romance, os Filmes, a Filosofia.

 

Trabalho principal (seleccionado):

"Conceitos e Natureza: A Commentary on The Realist Turn (de Douglas B. Rasmussen e Douglas J. Den Uyl)", Reason Papers 42, no. 1, (Verão 2021); Esta crítica de um livro recente inclui um mergulho profundo na ontologia e epistemologia dos conceitos.

As Fundações do Conhecimento. Seis palestras sobre a epistemologia Objectivista.

"The Primacy of Existence" e "The Epistemology of Perception", The Jefferson School, San Diego, Julho de 1985

"Universals and Induction", duas conferências nas conferências da GKRH, Dallas e Ann Arbor, Março de 1989

"Cepticismo", Universidade de York, Toronto, 1987

"The Nature of Free Will", duas conferências no The Portland Institute, Outubro de 1986

"The Party of Modernity", Cato Policy Report, Maio/Junho de 2003; e Navigator, Nov 2003; Um artigo amplamente citado sobre as divisões culturais entre os pontos de vista pré-modernos, modernos (Iluminismo) e pós-modernos.

"I Don't Have To"(IOS Journal, Volume 6, Número 1, Abril de 1996) e "I Can and I Will"(The New Individualist, Outono/Inverno 2011); peças de acompanhamento para tornar real o controlo que temos sobre as nossas vidas como indivíduos.

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